Supercut: wenn Filme den Zuschauer integrieren

Im Filmchargon spricht man auch von „Breaking the 4th Wall“, sprich der dimensionellen Durchbrechung des eigentlichen Stückes hin zum Betrachter dessen. Das passiert zum Beispiel, wenn Charaktere direkt in die Kamera schauen oder gar zum Zuschauer sprechen. Sehr interessanter Supercut von Leigh Singer, der etliche dieser Verbindungen der vierten Dimension aus der Filmgeschichte zusammen gesucht hat.

„The term comes from the imaginary „wall“ at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play.“

The list of 54 films featured, in order: The Player (1992), Blazing Saddles (1974), The Great Train Robbery (1902), Persona (1966), Alfie (1966), Ferris Bueller’s Day Off (1986), Richard III (1995), Richard III (1955), Sunset Blvd. (1950), Fight Club (1999), Kiss Kiss Bang Bang (2005), Le Mepris (1963), High Fidelity (2000), Spaceballs (1987), Hot Tub Time Machine (2010), The Hudsucker Proxy (1994), Jay and Silent Bob Strike Back (2001), Horse Feathers (1932), Annie Hall (1977), A Matter of Life and Death (1946), Amelie (2001), On Her Majesty’s Secret Service (1969), Death Proof (2007), Austin Powers: The Spy Who Shagged Me (1999), The Meaning of Life (1983), Road to Bali (1952), The Rocky Horror Picture Show (1975), Animal House (1978), The Omen (1976), The Devil’s Advocate (1997), Psycho (1960), Orlando (1992), Young Frankenstein (1974), Do the Right Thing (1989), Gangster No.1 (2000), A Bout de Souffle (1960), A Clockwork Orange (1971), Top Secret! (1984), Family Plot (1976), Superman – The Movie (1978), Bronson (2008), Airplane! (1980), Funny Games (1997), Funny Games (2007), The Great Dictator (1940), Lord of War (2005), JFK (1991), Goodfellas (1990), Y Tu Mama Tambien (2001), The Nutty Professor (1996), Tom Jones (1963), Monty Python & The Holy Grail (1975), The Holy Mountain (1973), Who Framed Roger Rabbit (1988).

via: b3ta